How Three Simple Chords Can Create a Solo Flatpicking Tune (A–Amaj7–Dmaj7)

If you enjoy playing solo flatpicking and want something simple that still sounds musical, this exercise is a great place to start. It uses only three chords — A, Amaj7, and Dmaj7 — but the magic comes from exploring them in three different positions on the neck.

Each position has its own color. When you add a few short connecting phrases, everything comes together as a small but complete piece you can play on your own. It’s a great way to practice chord knowledge, tone, and phrasing without getting lost in complicated licks.

Watch the video here: https://youtu.be/MlT1UwQPyDw?si=X8ZwT1cBu3Mt7CIL

If you’d like the TAB for this study, just leave a comment saying “Major Seventh” and I’ll send it your way.

Drop-D Tuning Made Easy: A Flatpicker’s Guide

Drop-D tuning is one of the simplest ways to transform your guitar sound. With just one string change — lowering your low E string down to D — you open up a world of new tones and chord possibilities.

For flatpickers, it’s a favorite because it adds depth to D, G, and A chords, making your solo arrangements sound full and resonant. Whether you’re arranging tunes, composing, or just exploring new sounds, Drop-D gives you that bigger, rounder tone we all love.

In my new video, I’ll guide you step by step through:

• How to tune your 6th string from E to D

• The essential Drop-D chord shapes

Watch the video: Drop-D Tuning Made Easy

Want to start experimenting right away? Comment “Chord Chart” on the video, and I’ll send you my free Drop-D Chord Chart with all the main shapes you need.

If you love acoustic flatpicking and want to learn how to make solo pieces sound complete and expressive, subscribe to my channel for new lessons every week.